Monica Vitti, Rome, 1960—the year of L’avventura’s release. Photo by Willy Rizzo.
“The face of Toni Servillo is one of the treasures of modern cinema … Look no further, if you wish to know whether, where, and in what guise the spirit of Fellini remains at work — and, better still, at play.”
Take a closer look at Zatoichi: The Blind Swordsman
“Paolo Sorrentino’s The Great Beauty blasts off from its very first plunge into the social stew of contemporary Rome, conscientiously reinventing Fellini’s La dolce vita for the 21st century and nailing the city’s chattering leisure class to the wall for all time.”